I'm published! Thank you all!

Well this morning I just want to say a huge thank you.

Thank you all for following over the years, for sharing and buying my work, for being there and egging me on.

Today sees the fulfilment of a dream, today my first children's book is published. Written by US author Jessica Reino, Symphony Hollow tells a tale of friendship, music, team work and a wonderful competition. It has been a joy to work with Callie my publisher and Jess too. I have learnt so much (the 'to do's and not to do's) and I'm sure I have been a pain with my questions and quest for the best quality, so thanks to Callie and Jess too.

The journey as illustrator has been a long one, I liken it to a game of snakes and ladders, the snakes are the rejections and there have been many, but you grow tough and move forward (with the hide of a rhino otherwise it can scupper a dream), but then there are the ladders... There have been a few this year, from being one of the finalists in the Stratford Literary Festival picture book competition to this...

Back in January of this year, I followed an agency in the US on Twitter, with view to submitting my work for representation, saying as I did so to my daughter ‘what have I got to lose?’ The next day I had a message from them saying that they wanted to introduce me to a new publisher, who were interested in my illustrations, was I interested?

Of course I said yes, introductions were made and a copy of the picture book story was emailed for me to read and make a decision. I fell in love with the characters in the story instantly and pictures soon formed in my head of how they would look, so that was it, I agreed to illustrate ‘Symphony Hollow’ written by Jessica Reino. I have been working closely with Jessica and Callie from Spork Publishing on developing the characters and page layouts.

I’m lucky, I love my job, it has taken many years to get to this point, many of which I had a ‘day job’ too, to make ends meet. But I have stuck at it, taken advice from many, changed and improved my style, always striving to be better, learning from those that have made a mark in the industry, studied how those great illustrators work, and putting my work out there. Rejection is hard, but learn from it, improve and then one day it won’t be a rejection.

Symphony Hollow is out today (7th November 2017) and available from Amazon (US) http://a.co/g8ryIgC          

Amazon (UK) http://amzn.eu/6ZjvwTO          

Barnes & Nobel https://www.barnesandnoble.com/w/symphony-hollow-jessica-reino/1127079758?ean=9781946101471

and Clear Fork publishing https://www.clearforkpublishing.com/store/p98/SymphonyHollow

Follow Emma on facebook.com/emmagrahampics or view her work at www.egrahamillustrations.co.uk

Spork is the children's book imprint of Clear Fork Publishing. In business since 2009, Clear Fork's missions is to provide children's books that are unique and make children think. To find out more about Spork, Emma, Jessica and the book just take a look at Spork’s website https://www.clearforkpublishing.com

So what do you want to know?

I have nearly 1.5k followers on my facebook page, which is amazing, so many comment and like as I add new work. For me it's a quick platform to show what I'm working on as I'm creating them. Finished pieces get added to my website.
I read recently that art is not about the work but about the artist themselves, this got me thinking, yes maybe that is partly true. Ask 'Joe Blogs' in the street to name an artist and most likely they can, but can they name a piece of that artists' work...hmm not always so easy.

So I asked my 'followers' to post questions to get to know more about me as an illustrator/artist... so here we are, tried to put them in some logical order...

How old were you when you realised you had artistic talent?
That's an easy one. I came from a very creative family. Mum was an art teacher and artist and sold her work in Libertys and Harrods. Dad was a photographer. Nana a self taught artist. So it was inevitable I'd follow there somewhere. I always had art pads, pencils, crayons etc. And Mum, being a typical mum kept so many. I think at age 5 I did a small picture that Nana and Mum hung in an exhibition along side their work, it sold and yes at that age £5 for my little picture was a huge deal!

What artists inspired you?

So, so many! Family obviously, but they collected old childrens book and I grew up entranced by illustrators like Rackham, Nielson, Clarke. A family friend Victor Wood was a friend of Harry Clarke, always scared me, (he had a glass eye), but one day this amazing man took me to his back room studio, sat me down and taught me to draw folds of fabric. He was patient and kind and encouraging, and I still think of him when I draw fabric.

Modern day illustrators like Shaun Tan, Catherine Rayner, Anita Jeram, Mick Inkpen, and Nick Butterworth are just a few that inspire me, there are so many and yes despite my own children being in their 20's, I do still buy picture books. (this is just a very small selection!)

What's your most memorable moment as an artist?

Ah, one that was a huge turning point in my self confidence... a few years ago I was asked to exhibit in an exhibition to celebrate local children's book illustrators. I politely explained that I wasn't published, but they insisted that I show anyway. Along came preview day, some amazing illustrators were showing including Helen Oxenbury (We're going on a bear hunt), Margaret Tempest (Little grey rabbit, another big childhood influence) and the amazing Nick Butterworth. Wow I thought, there with such names, I expected my work tucked away from such greats, but no, to my huge honour my work was hanging alongside Nick's Percy the Park keeper! Yes I had a 'moment' totally amazed to be considered worthy enough, but like I say, it made me realise that yes maybe I was, am good enough.

What is your favourite/most treasured tool of your talent?

My old drawing board, my home made light box, sable brushes and my imagination...boy that sounds cheesy, but I'd be lost without it! oh and sketchbooks, always keep a sketchbook, I often refer back to old ones for ideas.

What is your favourite medium to work with and why?

Inks. good quality inks, light fast ones. there are some out there that are not, see below as an example of poor light fastness (strips of colour were painted and half covered and left in daylight for a couple of months...scary hey? that could be your most prized piece of work faded!)

Inks are great for vibrancy of colour, transparent to build layers, which is what gives my work depth. I use them in a similar manner to watercolour but find the inks don't 'muddy' with over working.

Where do you find your inspiration from please?

Authors get "writers block" - do you ever have days when you just can't paint?

Random places for inspiration. A friend a while back posted a photo of her new old writing desk and it sparked an idea for a story (which I started to write) but the images of the mouse that lived secretly at the back of the drawer were so bold in my head. But it can be from snippets of news, nature, my local beach, comments from children, pretty much anywhere. And yes sometime I do get artist's block, those are turned into long walks in woods or the beach or sketching days, just sketch anything, and yes those days are frustrating but thankfully few. More often than not my head is too full of ideas.

What one thing would you like to accomplish before you die?
Ah that's easy, a picture book (many if possible) that is loved by children and parents, one that is read over and over and is dog eared and well loved. To be able to walk in to book shops and see my books on their shelves. I'm not bothered by making a fortune from it (good job as it's unlikely) just enough to pay the bills and be comfy but mainly the knowledge that my books are loved.
I working on it, Mouse's Star is coming on and I'm determined to get it published, it may take many rejections and heartache, but one day I hope to see my work in print.

Hey a girl can dream, working on fulfilling the dream isn't an easy path, but one I'm enjoying as I sit here in the peace of my studio and do what my heart screams to do. I have limited edition prints of some of my work for sale, along with originals. I take commissions and yes if you are an interested agent or publisher I'd love to hear from you!

facebook.com/emmagrahampics

twitter @bluebutterfly48

www.egrahamillustrations.co.uk

Pigs Go Wild!

Wow yet again I have been so head down with work, that I haven't blogged for ages, woops!
Well here I am with news of what I have been doing and how you can get involved too.
Towards the end of 2015 a call went out via local press and radio for local artists to get involved in a fabulous opportunity.

St Elizabeth Hospice has teamed up with Wild in Art to stage Suffolk’s biggest ever mass-participation, public art event – Pigs Gone Wild.

The interactive sculpture trail will feature 39 large pigs across Ipswich. This summer, from 27 June to 2 September, you will be able to follow the trail, collect points with our Pigs Gone Wild app and to try to see as many of the sculptures as possible.

The pigs, beautifully decorated by artists and generously sponsored by local businesses, will be on show for 10 weeks this summer. They will be joined by a sounder of junior pig sculptures designed by local school children and teachers, which will appear in litters across the town.

So not having ever done anything like this before (comfortable working 2d hand drawing at my trusty old fashioned drawing board) I decided to enter. I did 3 designs using my usual 'play on words' theme and entered 'Hamlet of Ipswich', 'Porkman Road' and 'Piggyback', then the long wait for Pigs Gone Wild to shortlist all the final submitted designs. A long wait, but worth it as my designs were selected and then in March (I think, it's all a blur!) these were then put forward for sponsors to select.

I was so chuffed when I got a call form the lovely Norman at PGW saying that Suffolk County Council wanted to commission me to design their own pig. 'Making a pig's year of it' was designed to celebrate the year of walking. This character pig is wearing seasonal footwear on his trotters and has a backpack filled with the things walkers should need and take on walks.

Well then a dear friend with a van (thank you Ruthy, something we will forever giggle about) and I went to collect the blank pig, it was like the Chuckle Brothers getting him in and out and into my not very big studio, but very funny to watch and painting of 'Wilbur' as we nicknamed him commenced. About half way through painting him Norman called again to tell me I had a sponsor for Hamlet, great I thought he will be fun to do too, so said yes of course.

So 'Wilbur' was finished and collected by Pippa and Jack only to be replaced with another blank pig. Hamlet was a challenge converting a simple 2d drawing of an Elizabethan ruff onto a 2m long 3d pig was with quotes and flowers and intricate detail, but I was so pleased with the result, but alas poor Yorick didn't make it on to the final design as we didn't want to upset any visitors.

Pretty much no sooner had I daubed my first dollop of paint on to him, did I get another call from Norman 'You have another pig!' he says excited down the phone, 'Ipswich Town football club want Porkman Road' (for those not footy fans ITFC's ground is down Portman Road... see what I did there?)
So like a weird case of deja vu, Hamlet left the building and blank 'porky' arrived, Pippa and Jack having got the hang of my narrow doorways!

'Porky' probably looked the simplest to create but painting I think is was 13 tiny Adidas logos on tiny trainers on pigs trotters possibly has to be the weirdest thing I have ever painted. Tiny fiddly hand drawn logos and matching the ITFC blue and the 2016/17 kit, 40 hours of painting later he was ready for collection.

So the three big pigs were done, normality resumed in the studio (sty as my hubby renamed it)

Time for normal artwork to resume I thought, then along trotted a mini pig. Holbrook Primary school children submitted their designs to school and I was asked to help with a final design and paint him. We took elements form many of the designs to wrap up in to Mr Hog (named after one of their teachers), he was then painted in 2 days at the Suffolk show with the help of some of the children. His design celebrates landmarks of this year and the Holbrook community.

So now here we are at the end of June and the pigs are varnished and ready to trot on to the streets of Ipswich on the 27th of June through to the 2nd September.
This is a wonderful opportunity to see amazing art on the streets of Ipswich over the summer.

There is a fantastic prize that everyone who completes the trail will be entered in to. It is a luxury family holiday break at Woodfarm Barns. For more information on this amazing prize just go to https://woodfarmbarns.com/pigs-gone-wild-suffolk


After you have enjoyed Pigs Gone Wild during its 10-week extravaganza, the large pig sculptures will be auctioned to raise funds for St Elizabeth Hospice.

So please come along during those few weeks in the summer and enjoy the wonders of this trail and the amazing hard work that has gone into the decoration of the pigs and the organization of this great event, and help support your local hospice.

For further details go to www.pigsgonewild.co.uk and keep watching out in the local press too.

And if you want to see the photos of the pigs I have painted and the time lapse films of their creations, check in to https://www.facebook.com/3ipswichpigsbyemma and please do share your selfies there of you and my pigs! Hope you all enjoy the trail, it will be wonderful.

The Pigs Gone Wild app will be available to download from both Apple and Android stores, from next week. The trail map is being distributed to a long list of locations today and the beginning of next week and is available to down load here...

www.pigsgonewild.co.uk/wp-content/uploads/2016/06/PGW_TrailMap.pdf

Pigs Gone Wild Official Sticker books will also be available to buy in all local East of England Co-op stores.

House of Illustration fair

All super busy here in the studio in the run up to Christmas. Leading on from opening my studio in June with Suffolk Open Studios, many of my visitors asked to come back near Christmas, so this Sunday 22nd November and again on 6th December I will again be opening my studio door for visitors, from 10am to 4pm. It's a great chance for people who follow me and my work to come and take a look around my small studio, browse through sketchbooks, see my folios of work, and have a chance to buy my work. It also is a great opportunity for me to meet those wonderful people who support me, either through their kind comments or by buying my work and commissioning pieces.
There will be originals, prints, cards, mugs, hand painted decorations and gifts to buy, so hopefully you will find an ideal unusual pressie.

But it is still head down and on with work, as I have been accepted (along with my daughter Lizzy, 3rd year illustration BA at NUA) to have an exhibit/stall at the wonderful House of Illustration Christmas illustrators fair at kings Cross in London on 12th December. We are so excited to be part of this, a great opportunity to showcase what we do to likeminded art lovers. It sounds like it's going to be a big event, over 100 illustrators plus workshops too. I will of course have various things for sale, plus a sketchbook on the go, as I always do at fairs (people do love to see work in progress) a couple of folios too. Lizzy will be showing and selling her stunning floral prints and colouring in books (yes she's on the band wagon so to speak, but her floral line work really suits these mini books). But mainly for her it will be the experience to be in a hub for her future industry, you never know who may pick up a business card and I know her work will blow your socks off! I will be so proud to have her with me. Lizzy is the 4th generation to be arty, My mum Liz Hubbard, did machine embroidery and sold at Libertys and Harrods, and her mum Mary Robertson was a renowned oil painter and highly collected especially in North Norfolk. Our work is so very different to each other, but Lizzy has an eye for botanical art like my mum did. So do excuse me at the fair if I'm doing the proud mum thing!
http://www.houseofillustration.org.uk/whats-on/current-future-events/the-illustrators-christmas-fair

the fair is free entry, so do pop by and take a look and support the creative arts, buy something individual, hand crafted, or limited edition.

 

An illustrators admiration of others

 It's been a long time since writing again.
When I heard about this I knew that the good part of me should ask for it for Christmas, but the eager impatient child in me knew there was simply no way I could wait and I'm am just so glad I ordered it.
https://www.waterstones.com/book/harry-potter-and-the-philosophers-stone/j-k-rowling/jim-kay/9781408845646

Oh how I wish I'd been at the House of Illustration the other night for the launch of the fully illustrated Harry Potter and the Philosopher's Stone, illustrated by Jim Kay. However I got tucked up early last night and devoured the book, the story we all know and love (I'm busy working on a new project and listening to them all on audio book, wonderful to work to), but Jim's re-imaginings are superb. The detail, colour, mark making and for me his superb use of theatrical light and darkness are just breath taking. 'Snape' made me gasp when I got to him, and 'Fluffy' well those noses are just perfect! He has simply woven his own illustrational magic into every image. It's a masterpiece. Very inspiring and there's a part of me that wishes I was a child again so I could read it under the covers. Spine tinglingly beautiful!

So duly inspired and in awe of such creations, I head back to my studio to paint.

I'm not going to post any pics, a copyright thing, but mainly a 'go out and buy it' thing, really you won't regret it!

Getting ready...where do I start?

Again it has been too long since I was last here. However I have been planning and creating, reading, more planning and just a teeny bit of panicking too!
I have signed up for the Suffolk Open Studios and will join nine other talented locals on the Shotley Peninsula Trail. We are eclectic bunch of creatives, producing a wide range of beautiful things.

This has lead to a revamp of a much under used dining room into a smart and welcoming extended studio space, a space to hang and display work. The walls got a splash of bright white, a nice new carpet and good lighting. That's the easy bit. I'm now frantically painting pieces to sell and reproduce as prints (large order placed with a fantastic print maker). This is one that I have sent to print, that will be hand finished with elements of gold... 'Dragon's Hoard'

I am juggling these pieces in with commissioned work, reading new novels for which I will be illustrating the covers, planning fairs to attend, making items, using my illustrations, to sell and all the while new book images and ideas are popping into my head and saying 'paint me!'

Well by the end of a day my brain is frazzled and I'm managing all this is with post it notes, planning on my calender and squeezing in the sketching between waiting for 'yays or nays' from customers and getting on with artwork, but as ever I'm feeling that I need more time to create all the things that are lurking in my head and longing to be on paper

I love this image used by Mecedes it just sums up a creative mind.

There are sketchbooks on the go, filling up with characters, notebooks of story ideas, big projects, little projects. And then, don't you just know it, the sun comes out, and the garden calls too, and the beach and the woods, all that places that inspire.

How to balance it all? I wish I knew! But one thing I do know, going full time freelance was the best decision I have made with my career, I'm now asking 'why didn't I bit the bullet years ago and listen to my creative heart?' OK so it doesn't pay big bucks, but for me it is all about doing what I love, as long as I earn enough to pay the bills, then I'm happy.

Now then....where's that paint brush?.....

Check out the artists on the local Open Studio trail and hope to see some of you on the first two weekends on June.

http://www.suffolkopenstudios.org/artist-trails#Shotley-Trail

style

As artists we expected to have our own 'style' something that is recognisably ours. I look about my fellow creatives and see that yes, each and every one is very individual and very talented.

My own style is something that if I'm honest, I struggle with. My brain is so full of pictures I want to paint, many many characters to create and bring to life and places I want to capture in my own way. But I just simply cannot keep to one style, it would bore me. I continue to experiment with media and styles and find still that some things work for one image and yet not for another.

As you will see from the following, my work varies considerably from fine tiny detail in my 'Small Worlds' to highly detailed works for classic stories and poems, to simpler that fit well with characters.

Southwold World - Ink on Bockingford paper

The Owl and the Pussycat -  inks, acrylics and colour pencil on Bockingford paper

There's not mush-room under here - ink on Bockingford paper

See they are all so different, I think they are obviously mine from the use of bright colours, but style wise so diverse. My question is, should I be sticking to just one style? Am I wrong to be so varied? I have had various opinions on this and recently found this article about artists styles, but it left me with more questions than answers.

http://design.tutsplus.com/articles/eighteen-artists-share-their-opinions-on-artistic-style-part-i--vector-3692

So what do I do to get my work seen and used in the highly competitive market? My heart says carry on, style and taste are so personal to the artists and the viewer. I don't want to 'specialise' in one style, I want to continue to be vibrant and varied and to cater for many tastes. But does this narrow or broaden my market? For publishing, probably one looks better, but for my customers, well they seem to like a bit of variety.

Please leave your thoughts in the comments, I am interested in seeing your opinions.

the 'C' word, seasonal of course!

OK so it is fast approaching, yes Christmas, sorry!

It is a busy time for many of us I know, so is it a 'Marmite' thing? Do you love it or hate it?


I have mixed feelings I'm afraid. Part of me loves it, but I also loath it too. I have been planning way ahead this year, only really from a business point of view. Creating enough stock of  artwork, hand painted tree decorations, card designs, that I'm due to collect from the printer next week and so on. So by the time we actually get to the big day I will no doubt be totally fed up with it all. BAH HUMBUG and all that. However I am looking forward to being at a few fairs this year, I do enjoy that side of it, hearing what the public think, seeing the excited faces of the children. As for the present buying, I'm sorry but I try to avoid the high street tat that gets churned out in their millions. I prefer looking for something different, hand crafted if possible, so head for galleries, craft markets and such like.

It's the commercial side that I dislike, the adverts start in September, just after the children go back to school, with the 'Have your sofa by Christmas' ads and from then on we are bombarded with toys, perfume and food ads, that are nauseating to say the least. The chef of the house panics about how to cook the turkey, and will it be enough? This makes me smile, after all it is just like any other roast dinner and if in doubt ask the butcher, he knows best. I have to say that though as my son owns and runs his own butchers shop, so it's a manic time for him too. I do the behind the scenes advert designing etc for him, so that has already started too.

I have loads to do before then, some lovely commissions, exciting ones too. So if the next few weeks could go slowly that would be great. So I'd best sign off and do some work!

Hers is a look at what I have been creating for the fairs, thinking I will be painting more soon too, as they are already selling!
https://www.facebook.com/media/set/?set=a.744614772275712.1073741838.185720348165160&type=1

smell the roses

All too many times in life I have been reminded of how fragile our lives are. Every time I say to myself, 'it's time to live'. Well I actually guess I'm lucky. I have a roof over my head, a loving family, children I'm very proud of and I'm doing what I love, my art and writing. Okay so if I'm honest it barely pays the bills, but I'm happy in building my business, a name for myself, always in the hope of recognition.

I have achieved things I'm very proud of, the main one being a silver gilt medal at the Chelsea Flower Show a few years back, for an exhibit I designed and illustrated and my wonderful team helped me construct.  I worked for several years in horticulture and still have a passion for plants and beautiful gardens and landscapes.

Those landscapes still inspire me, as an artist and writer. If I hit a stumbling block for ideas, a walk in the woods or on the beach is sure to inspire. For me it's a reminder of the beauty there is in the world. With all the sadness and horrors that currently pour into our lives via the media, I'm saddened at humanity. I long to hide away in the beauty of the world, give me a small natural built home in the middle of nowhere to be self sufficient, write, paint and work with nature, that sounds like bliss.

We all have dreams, aspirations. The grass is always greener and so on. But sometimes, on those days where we are feeling down, we need to look at others and understand that we all have our troubles, our sadness, and take time to reflect that our lives are really OK. Count our blessings. Take time to smell the roses, watch the sky, the stars, hug a tree (yes there is an underlying hippy in me). Even in the city there is beauty, sit and people watch, take a walk in the park, kick through the autumn leaves, put a shiny conker in your pocket as a reminder. But above all take a few minutes each day to just stop, forget the rat race, the bills to pay, the worries about our children, our parents, just a few minutes for just you. Stop, breathe and still dream those dreams, work towards them but remember to live for now, we forget that all too easily.

Inspiration

My question to you all is where does that inspiration come from? That light bulb moment that pings in the depths of the night when you are trying to sleep. The muse that tickles at the grey matter of your brain.

As an artist and attempting writer, those moments are magical, if not sometimes frustrating as they do so often happen at night. I keep a notebook by the bed, crazy mixed up night time thoughts get noted down, sometimes without putting the light on, then the time to decipher comes in the morning. Or it could be a walk on the beach, rain or shine, the soft breeze or a howling wind. I'm always tuned into using all my senses and likewise there is usually a notebook and pencil in my pocket, along with a hand full of shells or sea glass. Things that trigger memories, long forgotten emotions, things that are meaningless to others but are precious to me.

Picture books from childhood, the smells of cooking, how the light falls through a window, or even a piece of music. It's a wonderful feeling at the moment for me, I have so many ideas brewing, ideas for a series of illustrations that I'm calling 'A play on Words' I have lists and doodlings all over the place and will gradually get them done around other projects. This is the latest, that I'm really pleased with, this is 'There's not mush-room under here!'

I loved doing this one, as a child I was rather obsessed with toadstools, having one autumn found hundreds of all colours and sizes in our garden, from then I was hooked on drawing them. There is something very magical about them for me and drawing this one took me back to my childhood memories, the kicking through damp golden leaves, the peppery smell of decay in the dew drenched grass and woodland.

Then I am retuning my brain for the writing, at the moment its tuned into city life. I grew up in London such a contrast to where I am now, open skies, fields, trees. But my vivid memories are helping in my writing, I think I must have always been in tune with the world, the recollection of the smells, the tube, people, the way I felt as a child waiting for that tube train to thunder into the station, the wind in my hair, that electric smell. It all gets taken in and used.

I'd love to hear from you about the things that inspire you as artists and writers, the places you go to ease that creative block, is it in a good novel, a walk in the park, night life of a city or a teacher who was the one person that believed in you and pushed you to go for it?

Ok that's enough of my musings, I need a walk in the woods.

Darkness and light

Hi everyone, I love how you drop by for a read, would love to read your thoughts and comments on my blog, so drop me something below if you fancy.

Anyway back to the point in hand... Darkness and light, well that's where I seem to be at the moment, in a good way, don't worry.

Well work is leading me in interesting directions at the moment. The book cover illustrations continue, working on another one in a series by Pauline Chandler at the moment, the first being Warrior Girl, a great read, will be available later this year I hope, but no spoilers from me. Viking Girl is next and both are beautifully written, so no trouble getting inspired with these. But the images I'm doing are very different from my normal style, but I'm loving their boldness. 

The light side is the continued creations of designs really aimed at the greeting card market, that are a 'Play on Words'. The range so far can be viewed at http://www.egrahamillustrations.co.uk/cards/# , but there are so many ideas building up in my head, frantically trying to note them down to come back to and steadily work on. Well here is the latest, which seems to be a big hit over on my Facebook page. This is 'Mice-ion Impossible'...

On slightly darker side I'm back to writing. OK I just couldn't keep away. The first novel, written, edited, corrected, sits here waiting for me to be brave enough to try showing it to publishers. However the next one is just bursting to be written. But it's much darker than the last, more sinister, but there's a strange part of me that's loving it and the research is fascinating once again. To be honest I'm only writing for myself (I've probably said that before) but that's how it is. However if others read and enjoy then that's great too.

And now for the darkest part (Sorry Kevin in advance, you probably don't see them as such). Recently I picked up a great book, didn't know so at the time of reading the blurb, but it had me interested. First chapter and I was hooked. Wonderful descriptions of a place I know well, with a disturbing twist, vividly written, gripping and has pushed me to order all the rest of his books from the library. The book? you ask... Lucas by Kevin Brooks, a must read, as is the next of his I'm reading Black Rabbit Summer. OK so it was very late for me turning in last night, gripped again. Again dark but curiously enthralling, part of me wants to shy away, but there's just that bit of me edging me on saying 'Oh I need to know'. Kevin has won this years Carnegie medal (Well done Kevin!) for The Bunker Diary. I have read the reviews the comments, the criticism of the subject matter and horror, but know I will have to read it. I'm like a fly ensnared in the web that his words weave. But it does raise the question how dark is too dark and menacing for children and young adults? It has made me question my own writing, maybe I'm too soft. Although a friend that I have know for over half my life read my first novel and was shocked that I had it in me for murder (well writing it). I'm hoping my next novel will be more edgy but its just getting it so it works technically at the moment. But the re-workings will bring out the juiciness from the bare bones I'm writing now.

Creating stories for children will always be controversial, after all the Big Bad Wolf was scary when we were young wasn't he? Read more about The Bunker Diary here...

http://www.telegraph.co.uk/culture/books/10920101/The-Bunker-Diary-why-wish-this-book-on-a-child.html

a bit of a Peter Pan?

Well I have just returned from a few days away at my favourite place. Near the sea, pretty beaches, endless sky, beautiful food, (fresh fish of course), paddling, swimming in the sea, kite flying, sand castles, crabbing with the help of a friendly seal and the usual pocket full of shells after every walk.

It was lovely to be free of wifi, no connection except the mobile phone, (which was on silent.) The lovely company of friends and my daughter. We hired a pretty little beach hut and relished in the beautiful September golden sun on a peaceful beach, watching the tide ebb and flow and the grown ups having childish fun all day. Cups of tea and picnic, just about sand free, but that's all part of it isn't it?

I did some sketching, a lot of reading and idea collecting for writing. The clues, people, places and plots are all around us as writers and artists, anything from a simple beautiful shell quickly sketched to the soaked up atmosphere and the characterful locals in the pub, it's all there noted for use at some time.

Sometimes it's just good to get away from it all and enjoy the simple pleasures in life, to appreciate our beautiful planet, the white gulls soaring overhead in an azure sky, warm sand between the toes, the smell of the sea on an evening breeze. It's good to clear the mind of the things that weigh us down, to take time to just stop to watch the sunset, the moon rise, the the turning of the tides. To switch off the technology that clogs our lives and to listen to the breeze, the gentle lapping of the waves the distant call of the curlew. I just wish I could live like it all the time, a sea view to wake to, a studio looking out over the water. Maybe one day. Until then my paradise where I can feel free and act like the child that lurks within is only an hour from me, so I will be back, soon.

Fancy a day like that? Drop by the Little Beach Hut Company and take a look, its worth treating yourself!
http://thelittlebeachhutcompany.co.uk/

and now for something completely different, for me anyway

Ok so I'm an illustrator, but deep down there has been something else creative lurking. For many years I have had the seed of a novel, just niggling away at the back of my mind, a seed that had water and nutrients added a few years ago at a conference.

I attended the annual UK SCBWI conference in Winchester and one of the classes was working with us as illustrators, getting us to imagine and see all the detail in a piece of writing, it got us to open our minds further as artists. The artist leading the class, Debbie Gliori, read extracts from the following piece by Stephen King. It inspired me, not only as an illustrator (I think I put those details in my images already) but it made me want to write.

I came home inspired and the seed started to grow, eventually some months later I put pen to paper, well fingers to ipad and wrote my first piece, that now (slightly titivated) stands as my prologue. That was it I was hooked and wanted to write more and have.

My novel for YA is written, edited (twice), beefed up, spell checked. It has taken a year, but its been a wonderful journey, the seed had grown, blossomed and fruited, I have learnt so much about writing, the do's and don'ts, the research has taken me to unimaginable places and been very serendipitous along the way and I have learnt so much about myself, opened my eyes further with those details.

In honesty I only wrote it for myself, never really thought any more about it than that. However there have been a few willing people who have taken their time to read it, advise, help and praise where it's due and given me encouragement not to give up. I know I'm a way off being brave enough and proud enough of it to try submitting it, but maybe one day, until then new seeds are forming, I have 'the bug'.

Now over to Mr Stephen King, get inspired...

http://www.wordplayer.com/pros/pr13.King.Stephen.html

back at last

Morning all, hope things are good with you and you have all enjoyed the wonderful weather? It's a tad autumnal here in Suffolk today, but I'm hoping there is still more summer to be had yet.
It's been too long since I last checked in, but I have been busy I promise, illustrating book covers, private commissions, card designs and completing writing my own novel.

I have been working with a small publisher to relaunch a few novels with new covers four in total so far, though one was changed at the last minute which was a shame, but that's publishing for you. Pop by the link to my website to see the covers so far. http://www.egrahamillustrations.co.uk/books/
This is one, Watch & Wait, I have done for a wonderful anthology that will be launched in October, all proceeds will go to the Lymphoma Association.

With Christmas fast approaching I have been planning ahead and illustrating a range of cards that will go to print later this week. If you are thinking of wanting a special gift for family or friends for Christmas, I take commissions and will work closely with you so you get what you want. Drop me a line for a price guide and to discuss what it is you are after.

This is one of the card designs, 'Mice Skating' follow the link to see the rest in the range of 'play on words' greetings card designs

http://www.egrahamillustrations.co.uk/cards/#/images/15

Education should be fun

Good morning all.
Another busy few weeks gone by, book cover illustrations, private commissions and education.

I have recently started working with a new publisher, One cover is completed and the book, written by Caroline Pitcher is available on Amazon now. In Kindle and book form. Check out 'Mine' By Caroline Pitcher.


Another image for a cover is just finished, for a very special book that I shall tell you about soon.
There is talk of maybe four more covers too.

I have also had two days teaching art at the Ipswich Art School with some of the local primary schools.
The workshops ran alongside the Once Upon a Time exhibition, which sadly ends on 4th May.
Three primary schools came for a visit and the workshops, totalling 165 children!
We worked on large rolls of paper on the theme of The Owl and the Pussycat, most of them knew the poem, we thought about the characters, setting the scene and adding our own elements, like fish and sharks in the water, shells on the beach, shooting stars, rainbows and clouds in the sky. They all were able to take these beautiful pieces of work back with them to their schools to proudly put on their walls.

They were all a joy to work with, beautifully well mannered, enthusiastic and open minded. I was great to see how open their minds were, anything goes when they are young, sometimes I do wonder whether our education system is too regimented, fitting the expectations of government, lacking free thinking. I'd love to get the starchy Mr Gove into an art workshop and loosen him up a bit, open his mind to a broader education experience! Anyway even those who were a tad reluctant at the start went away with dirty hands and smiles. A totally wonderful experience for me too, I'd love to do more workshops with the schools. So a big thank you to those schools involved and the the museum service for asking me to run the workshops.

Well today is a tidy the studio day ready to start sketching up ideas for the next project, one I am really excited about, but keeping under wraps for now.

So here is the tidy(ish) studio, if you are like me, you will love a good nosy around other creatives work spaces, mine is an organised mess really, full of things I love, the beauty of nature collected and of course the view from my studio. How lucky am I?...

Mine

Morning all.
Well it has been a busy few weeks. The Once Upon a Time exhibition at Ipswich art school is still running through until the start of May. To coincide with that I have been running a few art classes with the Ipswich and Colchester Museums at their Saturday morning art clubs. I have worked with various ages talking them through sketch work, simple character ideas to working on individual illustrations to depict The Owl and the Pussy cat. We were able to wander around the exhibition, talking about the amazing work and the museum lent us a beautiful taxidermy Tawny Owl to sketch from.

The results were wonderful, their imaginations went wild with ideas, beautiful creatures drawn and amazingly beautiful and unusual Bong trees were developed. A very enjoyable experience for me, rewarding to see the children's imaginations used with no limits. I also have a couple more schools interactive art visits coming up at the exhibition, where we plan to produce a frieze with 60 pupils Owls and Pussy cats all on one big image.

I have also finished the TA job at school, I have decided I need to take the bull by the horns, so to speak and throw myself into full time art, art teaching and writing. Really looking forward to having more time to create, so many ideas, characters and story lines to work on.

I have been working also on a few commissions and ideas for book covers. I have just finished an illustration for a book cover for a small publisher. The story by Caroline Pitcher is dark and mysterious, about moving on in life, new beginnings.

I have a few more books to be working on in the nest few weeks, plus commissions, so plenty to keep me busy, but as always still looking for commissions and hopefully a publishing deal!

A few weeks ago also saw the launch of my new website, constructed to my vague layout by a dear friend who is so amazing at this kind of thing. I'm over the moon with it, easy to navigate and smart and tidy. Pop by for a look and let me know what you think.

http://www.egrahamillustrations.co.uk